Pengkhotbah 12:2-4

12:2 before the sun and the light ¹  of the moon and the stars grow dark,

and the clouds disappear ²  after the rain;

12:3 when those who keep watch over the house ³  begin to tremble, ⁴ 

and the virile men begin to stoop over, ⁵ 

and the grinders ⁶  begin to cease because they grow few,

and those who look through the windows grow dim, ⁷ 

12:4 and the doors along the street are shut;

when the sound of the grinding mill ⁸  grows low,

and one is awakened ⁹  by the sound of a bird,

and all their ¹⁰  songs ¹¹  grow faint, ¹² 

[12:2]  ¹ tn Heb “the light and the moon and the stars.” The phrase “the light and the moon” is a hendiadys (two separate terms denoting one idea) or perhaps even a hendiatris (three separate terms denoting one idea) for “the light of the moon and stars” (e.g., Gen 1:14).

[12:2]  ² tn The verb שׁוּב (shuv, “to return”) here denotes “to desist” (HALOT 1430 s.v. שׁוּב 3). It pictures the disappearance of the clouds as a result of the precipitation of their contents.

[12:3]  ³ tn Heb “the watchers of the house.”

[12:3]  ⁴ tn The verb זְוּעַ (zÿua’, “to tremble”) probably does not refer to physical tremors but to trembling in fear (e.g., Esth 5:9; Hab 2:7; Sir 48:12); cf. HALOT 267 s.v. זוע). At the onset of old age, those who had been the most courageous during their youth suddenly become fearful.

[12:3]  ⁵ tn The verb עָוַת (’avat, “to bend; to stoop”) means “to be stooped” (HALOT 804 s.v. עות) rather than “to bend themselves” (BDB 736 s.v. עות). The perfect tense may be taken in an ingressive sense (“begin to stoop over”).

[12:3]  ⁶ tn The term הַטֹּחֲנוֹת (hattokhanot, Qal active participle feminine plural from טָחַן, takhan, “to grind”) is a double entendre. In its literal sense, it refers to female mill-grinders; in its figurative sense, it refers to molar teeth (HALOT 374 s.v. *טֹחֲנָה). The related Hebrew noun טַחֲנָה (takhanah) refers to a “mill,” and the related Arabic noun tahinat means “molar tooth” (HALOT 374 s.v. *טַחֲנָה).

[12:3]  ⁷ tn The verb חָשַׁךְ (khashakh, “to grow dim”) is used elsewhere in reference to failing eyesight (e.g., Ps 69:24; Lam 5:17); see HALOT 361 s.v. חשׁך 2. Therefore, the phrase “those who look through the windows” is probably a figurative description of the eyes, picturing failing eyesight at the onset of old age.

[12:4]  ⁸ tn The noun טַחֲנָה (takhanah) refers to a “grinding-mill” where grain is ground into flour (HALOT 374 s.v. טַחֲנָה). The term is here used as a double entendre, figuratively describing the loss of one’s teeth at the onset of old age. The figurative usage also draws upon the polysemantic nature of this noun; the related Arabic root tahinat means “molar tooth” (HALOT 374 s.v. *טֹחֲנָה).

[12:4]  ⁹ tn Heb “rises up.” The verb קוּם (qum, “to arise”) refers to being awakened from sleep in the middle of the night by a sound (e.g., Exod 12:30; 1 Sam 3:6, 8) and waking up early in the morning (e.g., Gen 24:54; Judg 16:3; Ruth 3:14; Neh 2:12; Job 14:12; 24:14); see HALOT 1086 s.v. קוּם 1; BDB 877 s.v. קוּם 1.a. Here it describes one of the frustrations of old age: the elderly person is unable to get a full night’s sleep because every little sound awakens him in the middle of the night or too early in the morning.

[12:4]  ¹⁰ tn The term “their” does not appear in the Hebrew text, but is supplied in the translation for clarity and smoothness.

[12:4]  ¹¹ tn Heb “all the daughters of song.” The expression “the daughters of song” (בְּנוֹת הַשִּׁיר, bÿnot hashir) is an idiom for “songs; musical sounds; melodious notes” (HALOT 166 s.v. I בַּת 2; BDB 123 s.v. בַּת 5; GKC 418 §128.v). The genitive הַשִּׁיר (“song”) represents the nature, quality, character or condition of the construct בְּנוֹת (“daughters”); see IBHS 149-51 §9.5.3b. The idiom refers to the musical songs sung during one’s youth or to the ability to hear songs that are sung. This line is lamenting the loss of hearing which occurs at the onset of old age.

[12:4]  ¹² tn Heb “are brought low.”